The joy of painting studio work is that you have time to think and take your work through iterations. This 16"x20" is no exception. This summer I am enjoying painting the Credit River that snakes through Mississauga, my home town. Judging by the gorge that the river runs through, The Credit must have been a mighty river some time ago. The hills surrounding the river bed tell of a time when the waters were much higher and, one would assume much more treacherous. Today the river meanders through the gorge at a pleasant pace and has a nice summer feeling to it.

I went out to the river a few weeks ago determined to take several reference photos from which I hoped to work in the studio. Our summer has been rainy and cold, and I wanted to have options on drab and rainy weekends. I took several shots of interesting spots and have since revisited them at different times of the day to take note of colour changes. I gave up on taking my camera with me for these extra learning trips because I believe that the camera is incapable of rendering the subtle colours as my eyes see them. I therefore settled for notes instead.

This painting started - innocently enough - as a rendering of the mid-day image I had captured on my first trip. I was fascinated by the light colour of the forward tree and felt that there was a good subject there. I blocked in the trees and started working on the focal point, but somehow, it was not a satisfactory outcome. I am sure I could have kept going with it, but somehow the colour of the under painting kept calling me back to it. I really liked the warmth of it and I wanted this painting to reflect a warm summer day.
I went back to the location on a late warm evening and the colours that I saw struck me deeply. THAT is what I wanted. I noted the colours in mind and went back home. For the next two weekends I worked on this painting when I could not go out to do plein air work. The colours went back and forth and eventually I settled on the look that I liked.
In the final version, I took down the treeline and fixed the island and the river bank. The colours are very subtle so it is hard to see them in a picture. I tired to get them as close as possible to the true painting, but the subtle changes are averaged in the photo unfortunately. As you can see, what I ended up with has almost nothing to do with the reference. The painting is inspired by the scene, but it is a work of art not a report. It takes a life of its own. The goal is not to have someone say: "Oh i know where that is. I have been there before." I want it to convey a mood, a feeling of a warm summer afternoon. If that comes through. The painting works :)
July Late Afternoon on The Credit River, 16"x20", Oil on canvas.